I was immediately hooked on Deadbeat Beat as soon as I discovered their music over the summer. Had the privilege to see them live back in Sept (2019). Lovely, dreamy melodies and harmonies. Just incredibly well-crafted songs. You can tell each chord, note, phrase, lyric, etc. was chosen with meaning and sincerity.
Favorite track: You Lift Me Up.
Deadbeat Beat slowly took shape as the natural extension of a friendship begun in high school by drummer/vocalist Maria Nuccilli and guitarist/vocalist/songwriter Alex Glendening. Always at shows, hanging out, killing time and absorbing music, the two moved through early projects and various members coming and going before solidifying Deadbeat Beat with the inclusion of bassist Zak Frieling. By that point the band began finding their legs at shows in Detroit and through a series of sporadically self-released demos, EPs and singles.
In a scene of restless loners, everyone’s in at least a couple bands. While Deadbeat Beat actively percolated, Maria’s lockstep drumming kept time for longtime candy-psych heroes Outrageous Cherry and Alex played with trashpunk stalwarts Tyvek and filled in on bass and guitar for Saddle Creek’s Stef Chura and Richard Davies’ recently reformed iteration of The Moles. Even immersed in a wildly creative community Deadbeat Beat stayed on a different path, set apart by complex songwriting that drew from more internal perspectives.
While taking notes on the blacked-out guitar scuzz of their friends and neighbors, there was equal time spent dissecting key records by Kevin Ayers, La Düsseldorf, Joni Mitchell, Julian Cope, The Clean, and a whole litany of rainy pop music. Musically varied and lyrically congruous, How Far finds the band at the strongest voicing of this strange nexus, one spawned from rough nights at shitty dive bars as the emotional foundations for soaring pop songs that nervously bump into one another. Largely a reflection on asserting and maintaining a queer identity in an almost completely straight crowd, Glendening’s songs hit at the gut level — either doused in syrup like the harmony-heavy “You Lift Me Up” or stretched into an anxious infinity like “Tree, Grass & Stone,” the album’s extended freak out jam that still feels like a confessional indie pop song.
released August 2, 2019
engineered by Jeff Else
mastered by Fred Thomas
produced by Deadbeat Beat
I absolutely love this band and I can't imagine how one could not! A beautiful synergy of surf rock; hazy, indie pop; sumi's light voice; and the occasional, passionate yet soft, new wave style guitar. It's practically impossible for me to choose my top 1 song so I'll go with let it begin, the courage to become somebody's past, and coming to the end! You should really just listen to their entire discography though. ^_^ My heart goes out to them and all they've been through recently <3 bangsinmytearduct
Like reading the diary of a loved one who passed before their time. Memory for memories I've never had. A further evolution of Anna Burch's style from Quit the Curse, but no less timeless for it. This album shifts away from the more experimental/instrumental styles of Quit the Curse, and in its place more massively emphasizes Anna Burch's divine song-writing. Aske Brown